ZUCCARO Federico
Italian Mannerist Painter, ca.1542-1609 ..Painter, draughtsman and writer, brother of (1) Taddeo Zuccaro. Having been invited to Rome by his brother, between 1555 and 1563 he worked with Taddeo on various projects including the Villa Farnese at Caprarola and the Pucci Chapel in Trinit? dei Monti, Rome. Many of Federico's drawings for both commissions show Taddeo's influence. According to Vasari, Taddeo supervised his brother's early work, which created friction between them. In 1558, for example, when they collaborated on painting the fa?ade of the house of Tizio da Spoleto with scenes from the Life of St Eustace, Taddeo retouched some of his brother's paintings, so offending Federico. Already at 18 Federico was commissioned to paint many works at the Vatican: the Transfiguration, the Marriage at Cana and other scenes from the Life of Christ for the decorations (part destr.) of the Casino of Pius IV;
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ZUCCARO Federico Portrait of Vincenzo Borghini oil painting


Portrait of Vincenzo Borghini
1570-74 Black and white chalk on paper, 14 x 9 cm British Museum, London
Painting ID::  7079 		ZUCCARO Federico
Portrait of Vincenzo Borghini
1570-74 Black and white chalk on paper, 14 x 9 cm British Museum, London
   
   
     
ZUCCARO Federico Studies of a Greyhound oil painting


Studies of a Greyhound
1563-64 Red and black chalk on paper, 137 x 207 mm Mus??es Royaux des Beaux-Arts, Brussels
Painting ID::  7080 		ZUCCARO Federico
Studies of a Greyhound
1563-64 Red and black chalk on paper, 137 x 207 mm Mus??es Royaux des Beaux-Arts, Brussels
   
   
     
ZUCCARO Federico Self-Portrait aftr 1588 oil painting


Self-Portrait aftr 1588
Oil on canvas
Painting ID::  52704 		ZUCCARO Federico
Self-Portrait aftr 1588
Oil on canvas
   
   
     
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     ZUCCARO Federico
     Italian Mannerist Painter, ca.1542-1609 ..Painter, draughtsman and writer, brother of (1) Taddeo Zuccaro. Having been invited to Rome by his brother, between 1555 and 1563 he worked with Taddeo on various projects including the Villa Farnese at Caprarola and the Pucci Chapel in Trinit? dei Monti, Rome. Many of Federico's drawings for both commissions show Taddeo's influence. According to Vasari, Taddeo supervised his brother's early work, which created friction between them. In 1558, for example, when they collaborated on painting the fa?ade of the house of Tizio da Spoleto with scenes from the Life of St Eustace, Taddeo retouched some of his brother's paintings, so offending Federico. Already at 18 Federico was commissioned to paint many works at the Vatican: the Transfiguration, the Marriage at Cana and other scenes from the Life of Christ for the decorations (part destr.) of the Casino of Pius IV;

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